"Each of Carole Chebron's pieces is to be read as a story, in which fragility, the juxtaposition of the precious and the banal, the durable and the ephemeral, all come together..." Frédéric Bodet.
Carole Chebron lives and works in Paris. In 2004, "Sur la pointe des pieds" at the Musée de la Céramique in Rouen was her first solo exhibition in an institution. In 2006, she participated in "Céramique Fiction" at the Musée des beaux-arts de Rouen, "White Spirit" at the Fondation Bernardaud, "Fragile" at the Kunsthaus Langenthal, and "Subterranean Garden" in the crypt of Saint Pancréas in London. In 2008, "La part des anges" at the Galerie municipale de Clichy evokes the activity of her former crystal factory. In 2010, she participated in "Circuit Céramique" at the Musée des Arts Décoratifs with "Avec le temps". In 2013, the Quadrilatère de Beauvais produced "Le jardin des retours" for "Plein Champ" which will be presented in 2014 at the Musée de Sèvres. At the Maladrerie Saint-Lazare in 2016, she took over the gardens with a creation about memory and confinement. In 2020, she participated in "Matière(s) Manifeste" at Eleven Steen, Brussels. In 2021, she will take part in "Vivace et Troppo", glass in its free state, at the contemporary art centre Le Garage, in Amboise. 2022, she will take part in the exhibition "Un peu, beaucoup, avec passion" which has just ended at the Enseigne des Oudin. She will participate in the exhibition "Formes vivantes" at the Cité de la céramique in Sèvres, from September 2022.
Carole Chebron's interview in her parisian studio :